Curses and Colonizers in “The Mummy” (1999) – Part 2

About this episode

The very apparatus of the mummy’s tomb—his body locked in box upon box, his organs apportioned to canopic jars, hieroglyphic inscriptions on every surface—suggest the complexity of the undertaking. What might these two strands of the mummy’s DNA—in Shakespearean terms, part-Antony, part-Cleopatra—reveal about the relationship between colonizer and colonized, and about our own desires, fears, and guilt? Wes & Erin continue their discussion of the 1999 film, “The Mummy.” Upcoming Episodes: Elizabeth Bishop poetry, including “The Moose” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. Also from Wes: Curtain Times, a calendar of Boston theatre, classical, talks and readings. Follow: Twitter | Facebook | Website Transcript 0:12 Erin: Welcome to part two of our discussion of the 1999 masterpiece, The Mummy, directed by Stephen Sommers, who is obviously, you know, the Orson Welles of the 90s 0:25 Wes: and also known for such movies as Van Helsing. 0:29 E