When They Were Making It
Do not have it yet? Parasocial is a podcast player by Super Simple.
By 1950, MGM was done with Judy Garland — and so, it seemed, was Hollywood. A Star Is Born was the film that was supposed to change all of that. After a devastating breakdown, the end of her studio contract, and an industry convinced she was finished, Garland spent the next two years rebuilding herself — on concert stages in London, Dublin, and New York. By 1952, she and her husband-manager, Sid Luft, were betting everything on one extraordinary project. This episode follows the making of the 1954 musical remake of A Star Is Born — the second of four A Star Is Born films, later remade with Barbra Streisand and Kris Kristofferson in 1976, and with Lady Gaga and Bradley Cooper in 2018. The picture was designed to bring Garland back to Hollywood. It traces the unlikely partnership behind it: Luft, an ambitious outsider with little producing experience; George Cukor, one of Hollywood's most respected directors; Warner Bros.; and a cast led by Garland and James Mason as the rising Esther Blodgett and the fading star Norman Maine. From the search for a leading man — including George Cukor's pursuit of Cary Grant — to the arrival of Mason, Harold Arlen and Ira Gershwin's songs,